The only people who have been interested since 1967. and they understood who Ljubomir Micić was, Miodrag Protić and Aleksandar Flaker. And of course they understood the significance of the ZENIT movement for the history of art and the former Yugoslavia.
Their problem in obtaining any information from Ljubomir Micic himself was that Micic did not want to have contacts with anyone because he was a persecuted person by the then authorities. And, perhaps, the fear of compromising the contact with Ljubomir Micic. At that time, it was very dangerous to have any contact with the anti-state element (how Ljubomir Micic was treated).
An extraordinary opportunity was created in the character of Irina Subotić at the time (then without others – who appeared only in 1991 defending her doctorate in Slovenia, when Yugoslavia was falling apart. Especially later).
A very young employee at MSU, whose director is Miodrag Protić, manages to make contact with Ljubomir Micić. It is a great unknown what she understood from that contact in general, when it comes to Zenitism. It is also what she saw in Ljubomir Micic’s apartment, except ARHIPENKO. This stems from the fact that he published his first text about Micic only after 9 years. And that is significantly after Zoran Markuš and his many years of comprehensive research.
And about that later.
TO BE CONTINUED