The damage that Dr. Irina Subotic inflicts on Serbian culture and art history is invaluable. Ignoring the existence of works of art, primarily Ljubomir Micic and other artists of avant-garde movements from Serbia, he destroys something that the whole normal world would be proud of. She, along with two other colleagues and one sticker from Obrenovac, is eroded by the fact that they are not the ones who found such a rich collection. I can’t imagine how many volumes of books they would have written about it – if they had
With the fact that she has not seen works of art that obviously exist and by denying them, Dr. Irina Subotic cements the history of art. There is nothing after it. The works of Ljubomir Micić exist as they do. The fact that she never saw them doesn’t mean anything.
If Dr. Irina Subotic had somehow come out of the basement of the National Museum (where Ljubomir Micic’s legacy came) and done a little research and visiting the families of artists, she could have found what she is looking at now. She received almost the legacy of Ljubomir Micic, she made a list, and after that she found nothing new.
He has been telling the same story for 40 years. I would see a suitcase with Ljubomir Micić’s diary and album, I would see an album with collages, drawings, songs, various tickets, postcards from numerous trips, written impressions, etc. – Rastka Petrovica. I would see a handwritten biography of Mikhail Petrov, from Zenit onwards (which I own) and many other things.
In the old days, Dr. Irino Subotic, you are faced with the fact that the country did not stop turning 40 years ago, when Vidosava Golubovic and you wrote the book ZENIT.
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